contact us

Use the form on the right to contact us.

You can edit the text in this area, and change where the contact form on the right submits to, by entering edit mode using the modes on the bottom right.

Name *
Name


NEW YORK

sophiakhanstudio@gmail.com

Diary

Dream view of San Giorgio Maggiore, Venice

Sophia Khan

Watercolor on Arches paper. Copyright © Sophia Khan

Watercolor on Arches paper. Copyright © Sophia Khan

The view shown in this painting, where one catches a magical glimpse of the beautiful church of San Giorgio Maggiore, through the arcade of the Doge’s Palace, is one I happily discovered during my recent visit to Venice. During my very first visit, I had actually sketched the same arcade, but in the opposite direction, looking towards St Mark’s.

Each time that I visit Venice, the city appears slightly different to me. A different aspect of it calls to me. This time, especially during the first few days that I was there, a feeling of serenity overcame me. And so the color palette for this watercolor reflects that sense of calm. The prominence of blue is also suggestive of the elements of sky and water which always surround this glorious city. And the brushwork, along with the colors, reminiscent of the dream-like feeling I had as I entered into the city after so many years.

It was early in the morning, that I started the drawing for this watercolor. I wanted to start making my art before the crowds came in. And then later in the day, when the piazza became much more crowded, I returned to do the painting. I didn’t mind the crowds too much. For a piazza is a place of gathering, a place of celebration, and the passing crowds often yielded curious children, a friendly local, or a tourist who would look over my work, or ask to take a photo while I worked.

It was this feeling of serenity that carried me gently through the calle and canals of Venice, as I continued my creative journey into the maze-like arms of La Serenissima. 


One of the things that I enjoy doing when I am in Venice, is entering Piazza San Marco from all of its various entrances. Each entrance provides its own visual and spatial poetry. And this brings me to another aspect of the Church of San Giorgio Maggiore that always intrigues me.

When one enters the piazza from the north, beneath the clock tower, something very interesting happens. As one draws closer to the church, it appears to get further away. This is a play on perspective created by the arch below the tower, and also the mystery and magic of the church and its positioning. The sketches below show two different views sketched as I drew closer to the church, and it appeared to draw further away.


On another note, I would love to share a new book I am currently reading, on the subject of Venice and its Architecture. Dream of Venice Architecture is a remarkable gem of a book that has managed to make the often niche world of Architecture accessible to all in a profoundly beautiful way. It's filled with highly personal and evocative essays by a variety of Architects and writers, who share their intimate observations, reflections, and encounters with the Architecture and urban environment of this remarkable city. Many of these essays read as if we are getting a private glimpse into the writer's personal diaries...

For my entire review and more information on Dream of Venice Architecture, see the Amazon.com link here.